• Infamousblt [any]@hexbear.net
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    10 months ago

    Lots of people hating on Radiohead here. I fuckin love Radiohead so this really sucks. Now I need some new karaoke songs too ffs. Why couldn’t they just be cool

    • Frank [he/him, he/him]@hexbear.net
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      10 months ago

      Why couldn’t they just be cool

      I feel this so much these days. Like motherfucker why couldn’t you just be cool? Better to be silent than open your mouth and be known for a fool. I don’t look at celebrity news anymore because I’m running low on artists from my childhood.

      • Infamousblt [any]@hexbear.net
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        10 months ago

        Honestly I just grew up listening to them and singing them. I’m a hobbyist singer and Thoms vocal range and tone fits my voice perfectly. I’ve been singing Radiohead songs in my car and living room and in karaoke bars for like 15 years. It’s not gonna be replaceable unfortunately.

        I’ll have to go back to everyone thinking I’m a weirdo by singing They Might Be Giants songs instead. NOBODY RUIN THEM FOR ME TOO FFS.

        People make fun of me for being a DJ but EDM is all I’ve got left after the bands I grew up with keep getting rightfully cancelled kitty-birthday-sad

        • GalaxyBrain [they/them]@hexbear.net
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          10 months ago

          I also hate They Might be Giants. I don’t think they did anything wrong, I just think they’re the progeny of nerdy band kids being quirky and writing the Juno soundtrack. Radio head taught band geeks they could make pretentious and boring rock music.

          I’m EDM neutral outside of goth shit, most is too outside of my range of taste to have any meaningful thoughts.

          I sound like Robert Smith when I sing and it’s hard to not do a fake British accent while doing so

          • Infamousblt [any]@hexbear.net
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            10 months ago

            Oh yeah I mostly love TMBG because of how fun they are to sing and how annoyed people get when you do. They’re so nerdy and that’s fun to me. I chose to lean into my nerdiness rather than shy away from it decades ago

            • WideningGyro [any]@hexbear.net
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              10 months ago

              They have a fun song called Your Racist Friend which is about not tolerating your friend’s racist friends, so that would at least suggest that they’re OK

          • autismdragon [he/him, they/them]@hexbear.net
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            10 months ago

            Noticing you seem very effected by fanbases and particularly which highschool cliques were into something between this and the Death Note thing. Personally i would advise against that type of thinking.

            • GalaxyBrain [they/them]@hexbear.net
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              10 months ago

              I’ve seen some death note and have overheard some amount of radiohead. I am a huge film and tb nerd and an even huge music nerd, Radiohead named themselves after a kinds bad Talking heads song for example. Death Note isn’t gonna be my thing cause I’m not very anime and what I do enjoy there is a bit eclectic and odd, my favorite animes are Nichijou, Kino’ Journey, Paranoia Agent, the first 3 seasons of Digimon and Medabots. As far as music goes, I’ve been deep into diy music since my early teens and still trade tapes etc. I know my weird music real well and radiohead don’t do much for me, also when you’re into music you go to shows and what is or was big affects who’s around, radiohead made for worse crowds.

                • GalaxyBrain [they/them]@hexbear.net
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                  10 months ago

                  Are you not Nichijou pilled? It’s uhhhhh…best description is Azumanaga meets Monty Python, Kino’s Journey is like a awrene version of Twilight Zone with an androgynous lead who has like 53 guns at all times and a talking motorcycle. But mostly get on Nichijou, it’s got the best vibe of anything, I guarantee you will become happy when watching. It’s a positive absurdist comedy sketch shown with continuity? Like if Camus wasn’t a bummer?

        • GarbageShoot [he/him]@hexbear.net
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          10 months ago

          TMBG are pretty explicitly communists, so you’re good there

          If you like them and RH, there’s a good chance you’d like some of King Crimson. I was trying to think of a useful comparison and I think you should check out their song Dinosaur to see what I’m getting at. That is, unless what you really like about Yorke is the wailing, in which case go right to In the Court of the Crimson King.

          • Gosplan14_the_Third [none/use name]@hexbear.net
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            10 months ago

            In the Court of the Crimson King is one of the albums tbh, most people will at least find it interesting.

            Saying that, I really like King Crimson. I haven’t listened to every album yet, but I like Three of a Perfect Pair and THRAK quite a bit, despite them being albums that aren’t often talked about. I need to listen to Larks Tongues in Aspic, because I quite like parts III and IV from ToaPP and The Construkcion of Light.

            • GarbageShoot [he/him]@hexbear.net
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              10 months ago

              In the Court is definitely way up there, especially if you just trim the improv part of Moonchild . . . . As you can probably tell from me going to Dinosaur immediately, I also really love THRAK (though a couple songs are dogshit, which is the case for most KC albums after the first). Larks Tongue is great, but now you’ve got me digging through their albums to remember stuff properly.

              Wow, looks like they’ve made a lot of their EPs and live albums more available finally, but I only know like two of those. Regarding remaining albums: I loved Power to Believe, one of their better ones. Red is solid. Starless is just this side of being too croony, but I like it. Lizard is jank as hell but I like and respect it. In the Wake of Poseidon I could never get into, though it has a couple of good songs. Islands I just totally forgot about to a much deeper degree than the rest of these, though on reflection I think I still like it more than Poseidon. Construkction I just can’t stand, but I’m happy for you if you like it.

    • Walk_On [he/him]@hexbear.netOP
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      10 months ago

      The album’s lyrics, written by Yorke, are more abstract compared to his personal, emotional lyrics for The Bends. Critic Alex Ross said the lyrics “seemed a mixture of overheard conversations, techno-speak, and fragments of a harsh diary” with “images of riot police at political rallies, anguished lives in tidy suburbs, yuppies freaking out, sympathetic aliens gliding overhead.” Recurring themes include transport, technology, insanity, death, modern British life, globalisation and anti-capitalism. Yorke said: “On this album, the outside world became all there was … I’m just taking Polaroids of things around me moving too fast.” He told Q: “It was like there’s a secret camera in a room and it’s watching the character who walks in—a different character for each song. The camera’s not quite me. It’s neutral, emotionless. But not emotionless at all. In fact, the very opposite.” Yorke also drew inspiration from books, including Noam Chomsky’s political writing, Eric Hobsbawm’s The Age of Extremes, Will Hutton’s The State We’re In, Jonathan Coe’s What a Carve Up! and Philip K. Dick’s VALIS.

      https://en.wikipedia.org/wiki/OK_Computer#Music_and_lyrics

      • Gosplan14_the_Third [none/use name]@hexbear.net
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        10 months ago

        It’s a bit of a tendency to fixate on it that everyone from Fascists to Communists has nowadays - the people accused of bad stuff usually get outraged and go fash at the backlash or whatever.

        Pure opportunism, and attempting to salvage a source of high income.

        Ultimately, a lot of art is made by people with questionable ideology - often without saying anything about it. I know comrades that enjoy Varg’s music (literal Nazi murderer), but I also prefer not to listen to say the Smiths or Ramstein, despite knowing I’d probably enjoy it.

        It’s a lot of bickering and kind of a dead end in the world of art, but a huge part of modern lib politics where that’s the almost only thing you’re allowed to truly question and argue about. Listening or not listening to a decent but overrated rock band isn’t really going to change much, except for being an offshoot of the lib saying from 10 years ago “vote with your wallet”

        • kot [they/them]@hexbear.net
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          10 months ago

          I’m going to be pretentious and say that I think it’s because modern capitalism makes people create and cultivate their identities based upon consumption. People also tend to think that being a good artist and being moral are the same thing, and we also tend to think of art as an extension of the artist. This means that if you consume a piece of art by David Bowie or Radiohead or whatever, you are metaphysically assimilating the artist, and that also makes you immoral by extension.

        • QueerCommie [comrade/them, she/her]@hexbear.net
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          10 months ago

          the Smiths or Ramstein

          I dont like them, but tbf the smiths used to be based. Rammstein has decent politics, but one of the members is problematic iirc like antiflag. Its not hard not to listen to cringe people. On the other hand i like to jokingly enjoy stuff like the charlie daniels band.

          • JohnBrownNote [comrade/them, des/pair]@hexbear.net
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            10 months ago

            i think rammstein is more for the sex recruitment thing, but also a german acquaintance had previously mentioned the singer saying a bunch of weird shit a few years ago

            speaking of germans, nena sucks now too.

        • Voidance [none/use name]@hexbear.net
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          10 months ago

          Cancelling politically suspect mediocrities is fine because fuck ‘em right, but cancelling great artists over politics is myopic and undesirable, when there art is not directly political. In relation to that I would say, for example, that it was fine and good not to publish the anti-Semitic propaganda Celine wrote during WW2, as some publisher wanted to do a few years back; but it would be silly not to read his literary work because he was a Nazi, just as it would be silly to ignore Wagner or Heidegger for the same reason. On the other hand I don’t have a problem with anyone trying to cancel Radiohead, humanity doesn’t really miss anything if we lose them, although I’ll probably still listen to their music.

      • autismdragon [he/him, they/them]@hexbear.net
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        10 months ago

        Id imprison him in a room where he’s only allowed to make poetry.

        This is half a joke. But i am anti death penatly, so what happens to a fash who makes good art and isnt rehabable would basically probably be that.

      • Voidance [none/use name]@hexbear.net
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        10 months ago

        There not objectively bad but I do think Thom Yorke’s plaintive melancholy dirges benefit a lot from the way Radioheads rhythm section and Greenwood’s instrumentation transform them into something new. They’ve also kind of hit a late/mature stage groove since in Rainbows where I don’t think they really push themselves the way they used to, and their music is becoming less interesting and more predictable.
        That they are ‘objectively bad’ is a classic hot take, although usually in response to their crossover appeal/ the amount of ‘normie’ listeners they have, rather than there being Zionists.
        Nick Cave is another one whose come out recently refusing to boycott Israel (I think he likened the pressure to bullying or something ridiculous).
        Peoples politics are really made by experience. Like a lot of actors for example have reasonably left wing politics because, at some point early in their career they often did experience struggle and exploitation. But a rockstars life is about as pampered as you can get, and the ones that are successful usually find success while their young, so it’s not surprising so many of them have shit politics.

  • SpiderFarmer [he/him]@hexbear.net
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    10 months ago

    I always hated Radiohead, so this doesn’t affect me much. Seriously, if I wanted to listen to a guy incoherently piss and moan over the worst techno beats ever, I’d walk into a dive bar with a snare drum.