(I didn’t, largely since I’ve never watched a single episode, but the psychic damage and whiplash of Wholesome Pony Show having said this line was too fuckn much for me)
EDIT: More replies than upbears now. It’s probably an official struggle session now (although most of it is that one person). One must imagine SisyFEWs happy.
I haven’t seen this episode, but could it be possible that Twilight Sparkle is simply talking about how material conditions drive historical change, rather than trying to morally justify the actions of the settlers? She is the book nerd of the group, so it would make sense that she’s read theory and is maybe attempting a Marxist analysis of settler-colonialism in Equestria.
No, it’s literally just a call to stop the active conflict. That happens by letting the settlers keep all the land but giving the buffalo a stipend of food. Like it’s so absurdly egregious that there’s no soft reading of it in context.
It also establishes the situation with the land use as a dichotomy between the settlers making productive use of the land vs the buffalo just leaving it barren and stomping around in it for fun. It does basically everything wrong, right up to its conclusion being that the buffalo stop resisting and just accept that the land isn’t theirs anymore, but they get a little bit of food thanks to the “productive” use of their land by settlers. It is basically a manifest destiny storybook narrative.
Ok, yeah, that sounds pretty bad.
Uncritical support to the landless peasant buffalo in their struggle against Twilight Sparkkkle and her fellow pony settler-colonialists.
lmao that’s so bad wtf, they’re putting this shit in cartoons? Western kids never had a chance
🥰
In this essay, I will
For shits and giggles I asked ChatGPT to generate a Marxist analysis of the episode, and this was the result:
My Little Pony: Friendship is Magic" (MLP: FiM) can be analyzed from a variety of perspectives, and using Marxist theory is certainly one way to provide a critique of its content and subtexts. “Over a Barrel” is a particularly relevant episode for this, as it deals directly with themes of colonization, land disputes, and cultural understanding.
Commodification and Land Ownership: The episode starts with the ponies transporting an apple tree, Bloomberg, to a distant town. This act in itself is a symbol of commodification – transforming nature into a product. The tree becomes a symbol of Applejack’s capitalist endeavors, a means of expanding her apple business.
Colonization and Native Rights: When the ponies reach the town of Appleloosa, they discover that the settler ponies are in a dispute with the buffalo over the land. The buffalo claim that the land belongs to them and that they need it for their traditional stampeding grounds. The settler ponies, on the other hand, have begun to build a settlement and apple orchards on the land. This can be viewed as a parallel to historical colonization where indigenous populations were often pushed out of their traditional lands by settlers.
Cultural Hegemony: The settler ponies, representing the dominant cultural force, display a lack of understanding or respect for buffalo traditions. The ponies’ expansion and settlement could be seen as an example of Gramsci’s concept of cultural hegemony – where one group’s cultural norms and values dominate and marginalize those of other groups.
Conflict and Class Struggle: The central conflict between the buffalo and the settler ponies can be interpreted as a class struggle. The buffalo represent the oppressed proletariat, whose traditional ways and means of subsistence (the stampede) are threatened by the bourgeoisie represented by the settler ponies. The settler ponies’ apple orchard, particularly Bloomberg, can be seen as means of production, which they control at the expense of the buffalo’s traditional ways.
Resolution and the Status Quo: The conflict is eventually resolved through compromise. The buffalo agree to let the apple orchard stay as long as there’s a path for them to stampede. While this seems like a happy ending, from a Marxist perspective, it can be viewed as maintaining the status quo. The bourgeoisie still controls the means of production (the apple orchard) while the proletariat (buffalo) have to adjust their traditional ways to fit the needs of the dominant class.
Interpersonal Relationships vs. Systemic Issues: One could critique the episode for resolving a systemic issue – colonization and land rights – through personal understanding and friendship. While interpersonal understanding and communication are important, they often don’t address the underlying systemic issues. From a Marxist standpoint, this could be seen as an oversimplification of the complexities of class struggle.
Conclusion: “Over a Barrel” provides a narrative that touches upon complex themes of colonization, land rights, and cultural hegemony. While the episode promotes understanding and friendship as a means to resolve conflicts, from a Marxist lens, it can also be interpreted as a narrative that simplifies systemic issues and supports the status quo. The episode offers a valuable platform for discussions on historical and ongoing struggles between indigenous populations and settler communities.
Ok, I like chatbot now
I don’t; that was terrifyingly sentient.
I like that you thought it was more likely that midnight sparkle was a Marxist than it was that a TV show made to advertise toys was liberal.
I must confess that I may not have been entirely serious when I talked about characters from My Little Pony analyzing conflict through a Marxist lens.
Marxists: “I love indigenous!”
also Marxists: (shrieking about how “non-historical peoples” deserved to be genocided)