Joaquin Phoenix gives the absolute worst performance of his career as Napoleon Buonaparte, choosing to portray one of history’s most famously charismatic leaders, as a wooden cutout. No movie these days would be complete without Reddit/Marvel-tier quipped dialogue, and this screenplay provides it in spades. Many of the events that would naturally adapt to the big screen are skipped in favor of shots of Phoenix crawling under tables like some fucked up dog. No mention is made of Italy, and Spain and Haiti are skipped over as to avoid portraying the subject in any kind of negative light. Irresponsible and reactionary filmmaking shines through in a script that truly feels like it was written by chatgpt. The film concludes with him suddenly dying in a part that reminded me of the poochy “my planet needs me” bit. Do not waste your time. I was expecting a cheesy Hollywood retelling and it didn’t even do that, despite having more than enough source material to do so.

  • Fishroot [none/use name]@hexbear.net
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    1 year ago

    What I say is bullshit is the “this visionary genius who has the most prominent name on this movie you like is implied to have singlehandedly made that movie and therefore unfettered control over an upcoming movie will surely be at least as good” belief that almost never goes as promised.

    so like Nolan?

        • UlyssesT [he/him]@hexbear.net
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          1 year ago

          “THIS IS NOLAN THAT MEANS THIS IS AN ADULT MOVIE FOR GROWN-ASS ADULTS. IF YOU DON’T LIKE IT YOU ONLY LIKE MOVIES FOR BABIES, BWAAAAAAAAAAAAAAAAAAAAAAAAAAM” takes are all too common regarding Nolan and yes I count those as Auteur Theory brainworms

          Disclaimer for readers: yes yes it is okay to enjoy the BWAAAAAAAAAAMS but please stop pompously assuming anyone not BWAAAAAAAAMING with you is some sort of barbarian, child, or barbarian child.

        • Pastaguini [he/him]@hexbear.netOP
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          1 year ago

          This movie and Oppenheimer had a lot in common, although this made Oppenheimer look like a masterpiece. Both films suffer because they’re both so obsessed with their subjects that they claustrophobically center the entire movie on them instead of exploring the interesting worlds they inhabit.