jack [he/him, comrade/them]@hexbear.net to movies@hexbear.netEnglish · edit-21 year agoNew Castlevania series asks: what if the class conflict metaphor of vampires isn't literal enough?message-squaremessage-square36fedilinkarrow-up131arrow-down10file-text
arrow-up131arrow-down1message-squareNew Castlevania series asks: what if the class conflict metaphor of vampires isn't literal enough?jack [he/him, comrade/them]@hexbear.net to movies@hexbear.netEnglish · edit-21 year agomessage-square36fedilinkfile-text
minus-squareBloobish [comrade/them]@hexbear.netlinkfedilinkEnglisharrow-up28·1 year agoI was happy to see that the Haitian revolution was shown and was stated to be based as Hell and that slaveowners are fucking vampires needing slaying.
minus-squareBeaver [he/him]@hexbear.netlinkfedilinkEnglisharrow-up9·1 year agoMy favorite part of all gothic vampire media is that southern slaveowners are always blood sucking vampires who need to be S L A Y E D
minus-squareGriffithDidNothingWrong [comrade/them]@hexbear.netlinkfedilinkEnglisharrow-up6·edit-21 year agoDude from True Blood was a confederate soldier. Plenty of vampire stories embrace the antebellum south aesthetic. Not good ones, mind you. But they exist
I was happy to see that the Haitian revolution was shown and was stated to be based as Hell and that slaveowners are fucking vampires needing slaying.
My favorite part of all gothic vampire media is that southern slaveowners are always blood sucking vampires who need to be S L A Y E D
Dude from True Blood was a confederate soldier. Plenty of vampire stories embrace the antebellum south aesthetic. Not good ones, mind you. But they exist