Are we talking about movies or music? Movies are mixed to sound good in theatres and then they are later remixed to sound good on at least cheap surround systems, but, again, they aren’t generally doing it thinking about the people who spent $4000 on their system. And, again, the chief concern outside of the theater these days is audio for streaming.
I am not denying that a $4000 home audio system will sound better than a $100 one just by virtue of at least some of the components not being cheap Chinese crap, but I doubt even Christopher Nolan is ensuring his Blu-ray releases (or whatever) sound best on expensive audiophile systems. There’s a point of diminishing returns here.
What I am saying is there’s a point of diminishing returns. That point might be a 192kbps mp3, but there is still a point where 99% of people or more will not know the difference and there’s no money in marketing to that 1% who will.
I honestly agree with you quite a bit here. I would say the cutoff for what most people stop noticing is after 160kbps though. There’s a huge quality difference between 128 and 160, and 192’s a nice standard to preserve the subtleties without eating up space for no reason, but I don’t think most people can tell the difference after 160.
Yeah for sure… I would say even maybe 160kpbs for most music.
But I’ve encountered people (and in the past, blog posts/news articles etc) about how the human ear can’t discern the difference between 128kbps mp3 and a lossless format, and that’s just absurd.
Are we talking about movies or music? Movies are mixed to sound good in theatres and then they are later remixed to sound good on at least cheap surround systems, but, again, they aren’t generally doing it thinking about the people who spent $4000 on their system. And, again, the chief concern outside of the theater these days is audio for streaming.
I am not denying that a $4000 home audio system will sound better than a $100 one just by virtue of at least some of the components not being cheap Chinese crap, but I doubt even Christopher Nolan is ensuring his Blu-ray releases (or whatever) sound best on expensive audiophile systems. There’s a point of diminishing returns here.
Aside from the Christopher Nolan thing, I was referring to music.
What I am saying is there’s a point of diminishing returns. That point might be a 192kbps mp3, but there is still a point where 99% of people or more will not know the difference and there’s no money in marketing to that 1% who will.
I honestly agree with you quite a bit here. I would say the cutoff for what most people stop noticing is after 160kbps though. There’s a huge quality difference between 128 and 160, and 192’s a nice standard to preserve the subtleties without eating up space for no reason, but I don’t think most people can tell the difference after 160.
Yeah for sure… I would say even maybe 160kpbs for most music.
But I’ve encountered people (and in the past, blog posts/news articles etc) about how the human ear can’t discern the difference between 128kbps mp3 and a lossless format, and that’s just absurd.