What I am saying is there’s a point of diminishing returns. That point might be a 192kbps mp3, but there is still a point where 99% of people or more will not know the difference and there’s no money in marketing to that 1% who will.
I honestly agree with you quite a bit here. I would say the cutoff for what most people stop noticing is after 160kbps though. There’s a huge quality difference between 128 and 160, and 192’s a nice standard to preserve the subtleties without eating up space for no reason, but I don’t think most people can tell the difference after 160.
Yeah for sure… I would say even maybe 160kpbs for most music.
But I’ve encountered people (and in the past, blog posts/news articles etc) about how the human ear can’t discern the difference between 128kbps mp3 and a lossless format, and that’s just absurd.
Aside from the Christopher Nolan thing, I was referring to music.
What I am saying is there’s a point of diminishing returns. That point might be a 192kbps mp3, but there is still a point where 99% of people or more will not know the difference and there’s no money in marketing to that 1% who will.
I honestly agree with you quite a bit here. I would say the cutoff for what most people stop noticing is after 160kbps though. There’s a huge quality difference between 128 and 160, and 192’s a nice standard to preserve the subtleties without eating up space for no reason, but I don’t think most people can tell the difference after 160.
Yeah for sure… I would say even maybe 160kpbs for most music.
But I’ve encountered people (and in the past, blog posts/news articles etc) about how the human ear can’t discern the difference between 128kbps mp3 and a lossless format, and that’s just absurd.