ssjmarx [he/him]

  • 0 Posts
  • 48 Comments
Joined 4 years ago
cake
Cake day: August 21st, 2020

help-circle




  • AFAIK the arcade boom was pretty popular with both men and women, since at that time it was a social hobby and kids were doing a lot of hanging out and hooking up at arcades. It wasn’t until the turn to console gaming, which was primarily an anti-social activity, that video game advertisements started really focusing in on young boys. Nintendo bears a lot of the blame here, since they defined the western market following the big crash, and they saw the NES as exclusively a boys’ toy - but it wasn’t just them of course, in particular I remember the OG XBox’s marketing doing a lot to create a “bro culture”, along with stuff like the channel G4, which I think was created intentionally as a reaction to the previously existing perception of gamers being nerdy.




  • This is what I meant.

    Ugh the clip in that thread. Norm is blaming Angela Davis for the liberal establishment coopting her message and whitewashing it - like what the fuck else is she supposed to do, Norm? Advocate for a communist revolution which in America right now is every bit as far flung a possibility as prison abolition is? Immolate herself on the steps of the White House in protest? Stop punching left for fuck’s sake and that goes for the article in the OP as well.




  • I liked this video. I’ve never heard the term “metamodernism” until now but the way he explained it makes sense. It’s like people want to return to the escapism of older films but they can’t quite let go and be totally sincere about it, which is why you get soy banter and shit. I’ve always preferred what this essay terms “modernist” films and I suspect a lot of other Marxists do too, as Marxism itself is a very modernist philosophy, even if we are also aware of the terrible lessons taught by many films of that type.









  • I don’t miss sex scenes, but I do miss romantic subplots. I think the latest generation of Hollywood reexamining all of the bad “romantic” tropes in movies fell short because while they did finally learn that damsels in distress and trophy characters were bad, they failed to come up with something to replace them with, and now every male-female dynamic in pop films is either a preestablished relationship or something seemingly completely platonic (and in some cases it’s both, like in Iron Man where he has no sexual tension with his assistant outside of a couple snarky asides but then they apparently get married and have a daughter in between films).