I try to go by ear, but i’m not that good, so i struggle a lot
I try to go by ear, but i’m not that good, so i struggle a lot
If he designed and spec’d it like this he’d had his reasons… btw, he influenced a shit ton of musicians over the years, not me personally, even though i recognize the craft and touch, so he might be a bit of an authority in the field. There are way worse guitars designed by way worse guitarists… why do you care? Listen to what he plays instead of caring for the colours or shapes of a product that carries someone’s name
Post the results! I’m curious :)
Awesome job man! I suggest locking tuners and graphite nut, the total cost should be under or around 100$/€ and they do make a difference!
I think you should use turrets, the board has mounting holes for a reason
Interesting, what guitarss you prefer the most with these kind of effect? I find single coils work best with vibratos while i prefer humbucker for chorus… don’t know why
When i want to try hyped pedals or new stuff i try to build them, there are amazing kits on site like musikding… Now i’m trying to design a mini sized DRV 1981, i’m waiting for the pcb manufacturer price to drop a little and then the first tests might start
Uuuh! Nice! Seems you have a lot of grounds covered! My friend is on a N4 quest
I was right about to throw 150€ on it from a friend… then i saw that there is an ALMOST 1:1 replica in a toneprint on the corona mini and i went for it… it’s not even a staple of my board, not even properly cabled, it didn’t make sense… but o agree, i think it’s the best chorus out there
Cool, i see a lot of people into this, the DM-2w, the carbon copy… tap-tempo-less/few-knobs delays that sounds generally good as you twist the knobs. I personally found my endgame day in the tape model of the Flashback II from TC with a tap hooked up, it has the lush and can be rhythmic.
What do you play mostly?
I like this, although i won’t probably be ever able to use one of these at the volume they’re intended to be used. Still i like tha fusz
Yeah, i understand the tweaking thing, i like sound sculpting, but it’s not playing.
I love the three of them! Amazing players, the only one I haven’t seen live is Cory Wong and i’d die to get a ticket for him and the wongnotes
One thing you might end with is a setup that allows you to have more or less the same sound regardless of the amp you’ll find on the stage; i had a friend that did it because of that… he’d set the amps flat when they had no fx loop and he ran his rig in front
Great board! This is what i’m aiming for. What genres do you play and what guitarists/band inspire you mostly?
Also, MXR CC gang 🤙🏼
I think there is a model that reproduces some supro tone, look into mooer’s catalog! :)
It is an actual preamp, so no problem with the line level… about the choice i understand, what amp do you use usually?
Hi,
If you intend to play without an amp/cab, the microamp is not your fit, that one is actually a booster of sort…
What you need could be one of the mooer micro preamp series, which has a modeler of a famous preamp with a built-in speaker emulator.
If you need further clarification just ask :) there is also a ton of resources on this topic online
I have a home rig, which is modeler-based and on which i play whatever i like in that moment, few ODs, Mooer Preamp Model x2 and TC’s FB2 and HoF2 I mainly play a general purpose NickJohnston-oriented modded mim strat with a jbjr in the bridge tuned in Eb, but also a prs se standard 22 with a kluson paf pickup in the neck and a JB in the bridge for the heavier stuff and lower tunings I have an Ibanez S1 xxv aniversary with pink dimarzio evolutions in the bridge and neck tuned to E standard which is the “practice/study/school-guitar”, but i find myself playing it quite seldom
In my rehearsal room i have a peavey 6505mh running into a hb212 with v30s, here i mostly play ambient or heavy stuff with a Cort M600 in dropC and use a boss ch-1 and a carbon copy along the amp built-in reverb for effects
I don’t think i’m very good at playing guitar, i’m a drummer primarily, but i’m always learning new stuff and i love a lot of genres, even though i tend to gravitate towards stoner/nu-metal/grunge stuff when i write/jam
Even though you add encoders on the wheels it’s still an open loop locomotion method, you need the room to have a feedback of the position on the plane/in the space