As classical listeners shift to streaming, Apple’s bespoke app falls short of its smaller-scale competitors.
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From the title I was hoping for an investigative piece on Apple’s payment model and whether it treats classical musicians any better, but it’s just a comparison to other streaming services padded with trademark New Yorker bloviation.
tl;dr: they don’t like Apple’s editorials, prefer Idagio’s search results, and everything invented after the phonograph was a mistake.
bloviation
I learned a very useful new term right now.
